Haim Watzman

Jerusalem Votes: Interim Report

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Haim Watzman

South Jerusalem is not a good place to draw conclusions about trends throughout the city. This morning I disconcerted a Channel 10 crew looking for typical voters to interview when I told them I’d voted for Barkat and Meretz.

“But you’re wearing a kipah!” said the puzzled, well-dressed newsman, a Tel Aviv yuppie who’d been sent to cover those quaint, benighted Jews up in the mountains.

“Yes, but this is South Jerusalem,” I said.

The streets were lively today and when I went with my daughter to vote at mid-morning, the polling place was busy, even though these were work hours. It was a sharp contrast to the previous two municipal elections, five and ten years ago respectively, when turnout in this area was woefully low. Despite the fact that many people feel, as I do, that both major candidates are far from ideal, the battle between them seems to have galvanized voters.

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Rape Those Women! Slaughter Those Babies!–Why You Can’t Just Stage “Henry V” For The Hell Of It

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Haim Watzman

Shannon Kisch, the director of Shakespeare Jerusalem’s initially promising but ultimately amorphous production of Henry V, at least has my daughter Mizmor on her side. At nearly midnight last night, as we walked home from The Lab (Jerusalem’s newest and finest stage), Mizmor said, “It’s nice for a change to see someone just do a Shakespeare play the way it’s written.”

Which is what Kisch, in her program notes, says she wanted to do. Recalling a conversation about the problems of staging this historical drama, she writes: “The sentence I remember most clearly, and that which made the most sense to me, was this: ‘Why don’t you just tell the story?’”

I love my daughter and respect her opinions, and I sincerely admire Shakespeare Jerusalem’s ambition to stage the Bard’s works for Israeli audiences, but this production is a textbook demonstration of exactly why you can’t just “just tell the story.”

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Superbad: The Onion Explains the Election

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Haim Watzman . . . and gets it right: Although polls going into the final weeks of October showed Sen. Obama in the lead, it remained unclear whether the failing economy, dilapidated housing market, crumbling national infrastructure, health care crisis, energy crisis, and five-year-long disastrous war in Iraq had made the nation crappy enough to … Read more

Obama and Israel: The View From Home

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Haim Watzman Daneila London-Dekel, Ha’aretz‘s down-to-earth editorial cartoonist, injects a little realism into today’s paper, which consists almost entirely of a series of articles expressing amazement, wonder, and admiration at Barack Obama’s election. I’m also in a state of amazement, wonder, and admiration but I appreciate London-Dekel’s reminder that we’ve still got to get the … Read more

Don’t Finkelstein On Me

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Haim Watzman

Oooh, how I hate to be associated with Norman Finkelstein, the anti-Zionist Jewish political science with the foul mouth who gives criticizing Israel a bad name.

I cross-posted yesterday’s post (Black and Blue: Obama and Golda) on The Huffington Post, where a reader with the moniker CastleBravo1 commented:

Thank you for your comments.
This past year, I had the honor of taking a 90-minute bus trip each way on three consecutive days to hear Dr. Norman Finkelstein speak at Cal State Northridge.
Every reminder that the far right does not speak for Israel is a victory for truth.

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Black and Blue: Obama and Golda

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Haim Watzman

There wasn’t much to read in this morning’s Ha’aretz. Nearly every one of the paper’s senior writers has written a piece about how amazing it is that the United States is on the verge of electing a black president.

It is amazing, of course, especially for anyone my age and above, those who can still remember segregation and Jim Crow. But there’s something patronizing about all this going ga-ga over Obama’s race–as if voters are choosing him because he’s black. In fact, it’s his policies and his personality that are attracting Americans; if he wins it will be despite, not because, he’s black.

Ha’aretz‘s swoon over Obama reminds me of how American Jews tend to melt inside when they talk about Golda Meir. Seeing Israel through the lenses of American liberalism, many American MOTs view Meir as a paragon of liberalism and feminism. After all, she was a woman elected to Israel’s highest political office at a time when American feminism was just taking off. So her choice must demonstrate the maturity and lack of sexism of Israeli voters.

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Ha’aretz Gets It Wrong in Jerusalem’s Mayoral Race

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Haim Watzman

So Ha’aretz has joined the gaggle of left-wingers who want to punish Nir Barkat. Barkat supports the construction of Jewish neighborhoods in East Jerusalem, which is incompatible with cutting a deal with the Palestinians creating a Palestinian state alongside Israel. So a vote for Barkat is a vote against peace.

Now, we here at South Jerusalem think building Jewish neighborhoods in East Jerusalem is an awful thing to do. We advocate a two-state solution and we have noted time and again that when Israel builds for Jews on occupied land it often does so on land stolen from Palestinians or obtained under dubious circumstances. So, like Ha’aretz, we’re disappointed and disturbed that Barkat has jumped on the settler bandwagon.

But the Ha’aretz editorial neglects to note that Porush advocates building Jewish neighborhoods in East Jerusalem as well, as he says here (in Hebrew), on his campaign website. Of course, Porush wants the neighborhoods to provide housing for his ultra-Orthodox community, while Barkat wants them to be designated for students and the religious Zionist community.

So why is Ha’aretz eager to punish Barkat and not Porush?

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Intimate Mourning–“Shiv’a”

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Haim Watzman

I’m a Jew provincial enough to have only the vaguest notion about what gentiles do when a loved one dies. Non-Jews, and assimilated Jews, may be surprised, intrigued, or revolted by Shiv‘a , an award-winning Israeli/French film by Ronit and Shlomi Elkabetz. The film chronicles the traditional week of mourning observed by the large Moroccan-French-Israeli Ohaion family when a brother, Maurice, dies unexpectedly. A silent, stern-faced family matriarch and nine brothers and sisters, with their spouses, spend the week of mourning in the well-appointed Haifa apartment of the dead man’s widow and two young sons—sitting and eating on the floor, sleeping all together on twin mattresses in the living room, and churning their loves and hatreds, loves and rivalries, grudges and financial complications.

Shiv‘a—The Seven Days in English, a title that fails to convey the weight of the prescribed week-long mourning ritual—presents itself as a slice-of-life film. We viewers are eavesdroppers on the family’s week of alternately comforting and oppressive togetherness. We move from room to room, listening in on multilingual conversations not meant for our ears, hearing about secret affairs and about the failure of brother Haim’s successful factory, where he has employed several of his brothers.

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Barkat by Default

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Haim Watzman

I just got a call from Meir Porush‘s campaign central. Would I be voting for the Haredi candidate for mayor of Jerusalem, the polite young woman asked me? No, I won’t, I said. I’ll be voting for the rival candidate, Nir Barkat. And to hell with my blogging partner, Gershom, whose concern for an equitable settlement with the Palestinians in Jerusalem (justified) and his abiding suspicion of rich businessmen (somewhat less justified) has misled him into support for Porush (see “Sorry, Nir Barkat Will Not Save Jerusalem“).

Like Gershom, I’m extremely displeased rhetoric Barkat’s Greater Jerusalem rhetoric, which rules out any compromise with the Palestinians in the capital city. Barkat’s recent promise to build a new neighborhood for students in easternmost East Jerusalem seems to indicate either a willful ignorance of the state of the city’s Palestinian neighborhoods or a desire to pander to the extreme right.

But Porush is hardly a leftie on this issue. He, too, declares that he will keep Jerusalem united.

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Sharon Dolin and the Music of Nature

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Haim Watzman

One of my favorite poets, Sharon Dolin, has four poems up at Nextbook. The first, “Let Me Thrum (6 a.m.)” is a wonderful fresh and new version of “Nishmat Kol Hai,” the poem of nature extolling God that we read every Shabbat morning.

What makes Dolin’s work stand out for me is her exquisite ear, her ability to create a poem that would sound like music even if you did not know English, and whose sounds are intimately woven into her meaning. It’s on full display in this poem, where the early morning poet both hears and observes:

antennae’d and furred
all sing all shirr all rub and buzz
and fling their call to You
in song-light as the mist still clings

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Man As Anti-Creator

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Haim Watzman

In the creation story we will read from the Torah in synagogue this Shabbat, God creates the world, and man, and woman. Adam and Eve sin and are ejected from Eden.

In her poem “Eve to Her Daughters”, the late Australian feminist, environmentalist, and poet Judith Wright offers an alternative version of the story from Eve’s point of view.

Wright plays off both the biblical story and Milton’s Paradise Lost. In both those versions of the story, Adam is God’s junior partner in the creation; he names the animals, tends the garden, and is the raw material from which Eve is created. In both stories, man is ruined by his urge to know more–but the sin begins with Eve’s curiosity.

In Wright’s poem, it is Adam’s need to understand, to “unravel everything/because he believed that mechanism /was the whole secret” that is the original sin. As soon as he comes into being, Adam begins the process of uncreation. Having the power to uncreate gives him power, and power creates hubris: “And now that I know how it works, why, I must have invented it.” Adam’s surging powers of analysis lead him to the conclusion that he cannot demonstrate God’s existence–so God must not exist.

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