Haim Watzman
I make a mental note to consider an essay arguing that Einstein drafted his theory of Special Relativity in these corridors; I notice that as I try to pick up my pace, the carry-on I pull behind me and the laptop on my back gain mass, and the clock on my phone slows down. Yet, according to the signs, I am no closer to Concourse C than when I started out. Then, like Bilbo Baggins catching sight of the Last Homely House, I spy, just off the corridor I am tramping through, an alcove thoughtfully provided by the mad architect who designed this distended monstrosity. The alcove is furnished with a hub of what look like beach chairs set on low pedestals and upholstered in imitation leather. It is silent and empty, and the thought of being able to recline at an angle of less than seventy-five degrees is more salaciously tempting than anything else I have seen this morning. I’m an organized person and my travel philosophy is always get to my gate first, and then rest, but I have so much time that there seems to be no reason not to stop for a brief nap. So I choose a chair that faces away from the corridor, place my carry-on underneath and my backpack for a pillow, and lie down. Out of the corner of my eye, I notice, on the next chair over, the long stem and closed buds of what we call in Hebrew a shoshan tzahor. It makes no impression. I quickly lose consciousness, and when I come to, I scream.